Formalist film theory

means a number of different things: A certain school in the philosophy of mathematics, stressing axiomatic proofs through theorems specifically associated with David Hilbert. A school of thought in law and jurisprudence which emphasises the fairness of process over substantive outcomes. See Legal formalism. In economic anthropology, formalism is the theoretical perspective that the principles of neoclassical economics can be applied to our understanding of all human societies. A certain rigorous mathematical method: see formal system. A set of notations and rules for manipulating them which yield results in agreement with experiment or other techniques of calculation. These rules and notations may or may not have a corresponding mathematical semantics. In the case no mathematical semantics exists, the calculations are often said to be purely formal. See for example scientific formalism. In the study of the arts and literature, formalism refers to the style of criticism that focuses on artistic or literary techniques in themselves, in separation from the work's social and historical context. See formalism (art), formalism (literature). In the study of film and film theory, formalism is used to refer to a style of criticism that focuses on the technical aspects of filmmaking (e.g., lighting, sets, costumes, etc.). It was also used to describe an avant-garde experimental film movement, often seen as odd or extremist, which was concerned with the beauty of the actual physical form of film (i.e., the celluloid itself). Main article: Formalist film theory See also: auteur theory